Tagged
Alexander McCargar


11:30 pm, risdarch
9 notes
 Comments
text
Japanese Art to Offer Relief <3

On Saturday, April 9, students from the RISD studio Architectonics will join their instructor, New York-based architect Aki Ishida, at the Japan Society in New York City for a benefit concert and workshop to raise funds for the Society’s Earthquake Relief Fund. They will install Luminous Washi Lantern, a project they designed collaboratively during Wintersession, and run a full-day workshop to teach visitors how to fold paper pieces that will be added to the installation.

A longtime member of RISD’s adjunct faculty, Ishida has taught Architectonics every Wintersession since 2007, attracting some of the best students to a class that has become a perennial favorite in Architecture. “This year’s project evolved from assignments I have given in previous years focused on temporary paper-enclosed spaces,” Ishida explains. In the past, students have designed hypothetical projects for such sites as the Providence Art Club parking lot and a “Japanese village” Ishida is designing for Concordia Language Villages in Minnesota. However, after attending a festival at the Japan Society last spring, she determined that it “would be a perfect venue for an installation with RISD students.” The Society agreed – and then chose to incorporate the installation as part of this weekend’s fundraiser for relief efforts.

Inspired by traditional Japanese lantern festivals, the Luminous Washi Lantern project explores the use of light and shadow in Japanese architecture and celebrates the ephemeral, fleeting nature of materials traditionally used in Japanese rituals and events. As part of the class, a dozen sophomore and Foundation students worked closely with five teaching assistants who had participated in previous Architectonics studios – Jason Keyes BArch 12Alex McCargar BArch 11E. Tristan Mead BArch 14Evita Yumul BArch 08 and Henry Zimmerman BArch 13. Each student explored various designs for cutting and folding the mulberry paper traditionally used for lanterns. The group then collectively chose and synthesized designs by Adria Boynton BArch 15Fernando Diaz Smith 13 ID and Timothy Dobday BArch 15to develop for the site-specific piece in NYC. 

Installed in the the Japan Society’s skylit lobby, Luminous Washi Lantern will actually grow over the course of the day as visitors write messages to survivors of the earthquake and fold the paper (donated in part by the risd:store and C2F) before adding it to the installation. Doors open at 11 am and the piece will remain illuminated until 11 pm, when the event ends.

The benefit on Saturday is built around the CONCERT FOR JAPAN, which features performers such as Laurie Anderson (who holds an honorary degree from RISD), Philip GlassLou Reed and Ryuichi Sakamoto. Although tickets for the gala are already sold out, the concert will be projected on screens both inside and outside the building and will stream live on UStream.

“Being a Sakamoto fan since junior high school, I am especially excited about his participation,” Ishida notes. Most importantly, she is pleased that she and her current and former Architectonics students can help with Japanese relief efforts as they “share this special convergence of our interests in Japan, work with light and ephemeral materials, and interest in teaching the public about design.”

The Luminous Washi Lantern project was made possible by the Japan Society, a grant from the Center for Global Partnership and the RISD Architecture Department. 

links:
Aki Ishida Architect
Japan Society’s Earthquake Relief Fund
CONCERT FOR JAPAN on UStream  


01:48 pm, shera-nuss
 Comments
text
meta/ mimetic/ mnemonics//

remembering through copying

Jan 15 - Feb 13, 2010 @ BEB Gallery

QR (“quick response”) code is a 2d bar code that allows users to quickly access information & websites, hardlinking the physical world to its digital avatar with the scan of a cell phone. The disembodied structure of technology is disconcerting, but its use-value is not predetermined. Though the digital revolution is no longer a question of maybe or “if,” our future is now, so put on your gloves, get back in the virtual saddle & claim this world.

This show marks the reverb of a show RISD|architecture organized for a conference on the role of the digital in architecture schools in July, 2009, in Florence, Italy, called Beyond Media: Visions // Spot on Schools­­. Copying, an act facilitated by the digital process, can never reproduce an identical. The copy of the copy of the copy becomes distorted as it loses fidelity. In honor of the previous show, we are here to celebrate that distortion.  Mimesis is creation; there can be no original.

We are architects: we own stock in the corporeal; the concrete; the visible. And we are planners: we design; we posit; we hope. So let us use both hand + chip: bringing lo-fi back to high-tech, we hope to re-insert the hand in digital representation. Whether worked digitally & reworked manually or vice versa, understanding & controlling both processes affords the maker the greatest authorship. We stick our tongues out at our beeping, twittering, hyper-voyeuristic universe, all the while keeping the latest gizmo in our back pocket (alongside our sketchbook). Wielding both weapons, we are looking to roll with the punches & come out on top.

To access the code, pull out your iPhone, go to the App Store & download the free “qr app.” Now snap away.

ctrl+C/ ctrl+V//

Laura Blosser + Alexander McCargar








Tagged
Alexander McCargar


11:30 pm, risdarch
9 notes
 Comments
text
Japanese Art to Offer Relief <3

On Saturday, April 9, students from the RISD studio Architectonics will join their instructor, New York-based architect Aki Ishida, at the Japan Society in New York City for a benefit concert and workshop to raise funds for the Society’s Earthquake Relief Fund. They will install Luminous Washi Lantern, a project they designed collaboratively during Wintersession, and run a full-day workshop to teach visitors how to fold paper pieces that will be added to the installation.

A longtime member of RISD’s adjunct faculty, Ishida has taught Architectonics every Wintersession since 2007, attracting some of the best students to a class that has become a perennial favorite in Architecture. “This year’s project evolved from assignments I have given in previous years focused on temporary paper-enclosed spaces,” Ishida explains. In the past, students have designed hypothetical projects for such sites as the Providence Art Club parking lot and a “Japanese village” Ishida is designing for Concordia Language Villages in Minnesota. However, after attending a festival at the Japan Society last spring, she determined that it “would be a perfect venue for an installation with RISD students.” The Society agreed – and then chose to incorporate the installation as part of this weekend’s fundraiser for relief efforts.

Inspired by traditional Japanese lantern festivals, the Luminous Washi Lantern project explores the use of light and shadow in Japanese architecture and celebrates the ephemeral, fleeting nature of materials traditionally used in Japanese rituals and events. As part of the class, a dozen sophomore and Foundation students worked closely with five teaching assistants who had participated in previous Architectonics studios – Jason Keyes BArch 12Alex McCargar BArch 11E. Tristan Mead BArch 14Evita Yumul BArch 08 and Henry Zimmerman BArch 13. Each student explored various designs for cutting and folding the mulberry paper traditionally used for lanterns. The group then collectively chose and synthesized designs by Adria Boynton BArch 15Fernando Diaz Smith 13 ID and Timothy Dobday BArch 15to develop for the site-specific piece in NYC. 

Installed in the the Japan Society’s skylit lobby, Luminous Washi Lantern will actually grow over the course of the day as visitors write messages to survivors of the earthquake and fold the paper (donated in part by the risd:store and C2F) before adding it to the installation. Doors open at 11 am and the piece will remain illuminated until 11 pm, when the event ends.

The benefit on Saturday is built around the CONCERT FOR JAPAN, which features performers such as Laurie Anderson (who holds an honorary degree from RISD), Philip GlassLou Reed and Ryuichi Sakamoto. Although tickets for the gala are already sold out, the concert will be projected on screens both inside and outside the building and will stream live on UStream.

“Being a Sakamoto fan since junior high school, I am especially excited about his participation,” Ishida notes. Most importantly, she is pleased that she and her current and former Architectonics students can help with Japanese relief efforts as they “share this special convergence of our interests in Japan, work with light and ephemeral materials, and interest in teaching the public about design.”

The Luminous Washi Lantern project was made possible by the Japan Society, a grant from the Center for Global Partnership and the RISD Architecture Department. 

links:
Aki Ishida Architect
Japan Society’s Earthquake Relief Fund
CONCERT FOR JAPAN on UStream  


01:48 pm, shera-nuss
 Comments
text
meta/ mimetic/ mnemonics//

remembering through copying

Jan 15 - Feb 13, 2010 @ BEB Gallery

QR (“quick response”) code is a 2d bar code that allows users to quickly access information & websites, hardlinking the physical world to its digital avatar with the scan of a cell phone. The disembodied structure of technology is disconcerting, but its use-value is not predetermined. Though the digital revolution is no longer a question of maybe or “if,” our future is now, so put on your gloves, get back in the virtual saddle & claim this world.

This show marks the reverb of a show RISD|architecture organized for a conference on the role of the digital in architecture schools in July, 2009, in Florence, Italy, called Beyond Media: Visions // Spot on Schools­­. Copying, an act facilitated by the digital process, can never reproduce an identical. The copy of the copy of the copy becomes distorted as it loses fidelity. In honor of the previous show, we are here to celebrate that distortion.  Mimesis is creation; there can be no original.

We are architects: we own stock in the corporeal; the concrete; the visible. And we are planners: we design; we posit; we hope. So let us use both hand + chip: bringing lo-fi back to high-tech, we hope to re-insert the hand in digital representation. Whether worked digitally & reworked manually or vice versa, understanding & controlling both processes affords the maker the greatest authorship. We stick our tongues out at our beeping, twittering, hyper-voyeuristic universe, all the while keeping the latest gizmo in our back pocket (alongside our sketchbook). Wielding both weapons, we are looking to roll with the punches & come out on top.

To access the code, pull out your iPhone, go to the App Store & download the free “qr app.” Now snap away.

ctrl+C/ ctrl+V//

Laura Blosser + Alexander McCargar