risd senior open studios : friday february 25
6:00-7:00 PM Architecture + Industrial Design
Music by RISD’s own “Jam on Toast”
Co-Habitation + Selected work from the Architecture Triennial in the BEB Gallery
Studio Visits of Degree Projects in progress on the 4th Floor
Food and Drinks Provided
After-Party at The Salon: 11PM-2AM
FALL FINALS : Non-Studio Finals Week
students & projects from various fall seminars mingle in the BEB gallery anticipating either critique, or exhibition.
The Degree Project boards are up! This week initiated the march into degree project for the students in this year’s graduating class @ RISD Architecture. Here is a sampling of the 18” installations on display at the BEB. The boards will be on view until Nov. 05.
FRIEND OF FUTURE POSTCARDS IN I-95 WELCOME CENTERS.
One of my greatest frustrations with architecture is how inaccessible it is to…well, everyone. All too often architecture is something reserved for the backgrounds of car commercials, the occasional feature of a weekend paper, and the interiors of glossy magazines relegated to their own little corner of bookstores. That’s why it’s such a relief to see an exhibition like Friends of the Future. FoF is a the result of an advanced studio at the Rhode Island School of Design taught by Anthony Acciavatti, Infrastructural Reserves: Spreads and Densities along the Northeast Corridor, that investigated the formal and spatial potential of rest stops, intermodal stations, and other infrastructural interventions along I-95. The exhibition will travel to venues located along the Northeast Corridor and distribute 36,000 postcards promoting speculative futures of regional transit systems. It’s this populist aspect of exhibiting that is especially exciting. Starting May 25, the postcards will be available at rest stops, gas stations, welcome centers, and even McDonald’s restaurants across Connecticut - bringing design to people who might just be stopping off to walk the dog, use the bathroom, or buy a McFlurry.
From the Friends of the Future Press Release:
The projects presented serve to foster a discussion about new design strategies that can start to re-organize the expanse of residual spaces throughout the interstate, in order to accommodate a wide variety of programs that can serve a new social and economic future for the I-95 corridor, and consolidate an array of urban edges into a new infrastructural network.
Throughout the winter term, the students cultivated a series of well attuned strategies that envision the introduction of rail within the interstate system. The purpose in doing this is to conceive a diverse body of proposals, which provide an assortment of alternative futures for these contrasting sites that are unique for their exceptional cultural and ecological value.
The exhibition couldn’t have come at a better time, as it coincides with the recent announcement by the Obama administration of a new high speed rail plan for America. The Northeast Corridor and a continuing route that follows almost the entire length of I-95 is a primary focus of the new plan. After the election, there was a lot of discussion about the future of architecture and urbansim as the US welcomed its first urban President. Could we realy be entering a new Golden Age of infrastructure, creating new infrastructure to physically unite the nation as we begin what will surely be a slow economic recovery? The government, President Obama said, “will act—not only to create new jobs, but to lay a new foundation for growth.”
Projects like the RISD exhibition can help start the discussion that precedes this “new foundation.” As the average citizen becomes more aware of good design, it becomes possible to see a future where educated voters actually support innovative architecture and massive intermodal transit zones along high-speed rail lines. But that’s not all. We love our cars in America and we love road trips with mix tapes and crossing state lines with the sun setting behind us. As rail lines becomes more prevalent and new stations become necessary, these intermodal zones could potentially change the nature of the road trip by reconsidering what it means to travel by car and, as the projects brief states, reorganize the vast expanse of residual space between our cities. Can we create an ecologically sound, architecturally innovative infrastructure? As much I’d like to use the familiar “yes we can” refrain, the best we can hope for right now is a resounding “maybe.” But at least people are talking. And the next time you stop to grab a double cheeseburger on your way to Myrtle Beach, look for the RISD postcards and send a few to your family.
(via Life Without Buildings)>
AN EXHIBITION:FRIENDS OF THE FUTURE-RETHINKING FREEWAY l RAIL l RESTOP ALONG I-95 DATE: APRIL 6 to APRIL 24, 2009
RECEPTION on APRIL 14 (TUESDAY) at 6:00 PM, BEB GALLERY
Wall notes for the show.
Images from the show courtesy of JBohn Associates.
See this post for information. In the BEB Gallery (231 South Main Street, Providence RI 02903) until April 7th.
(Contributed by H. Better)
Variations on the Riemann Zeta Function
March 16th - April 7th 2009
Works from Surface Calculus, by Perry Kupler, which showed in the BEB Gallery in 2005.
Some curious finds: This was the exhibition catalogue for the October 3rd-24th show in 1990.
The graduates exhibited include Leonard J. Baum, Charles Crowley, John Dunnigan (MFA Furn), J.P. Friedman, Thomas J. Rossiter, Carole Palermo Schulze, Peter Twombly, Steven R. Umbach (BFA ID), Stephen T. Wanta, Daniel Wheeler (1981) (all listed are B.Arch 1980, unless otherwise noted). The curators for the show include Frederich St. Florian and Derek Bradford.
“Between March 20 and April 9 of 2004, OBRA was invited to exhibit at the BEB Gallery at the Rhode Island School of Design. The gallery is approximately 20’ x 40’ with 9’-8” ceilings. The four walls of the room have doors along the main central axis of the space, and three large columns obstruct views of potential exhibits. The geometry of the room is irregular, with two corners protruding into the space at 45 degrees on one side. The ceilings are low and made of low-quality acoustic tile. The artificial light falls harshly down from incandescent spot lamps. RISD has agreed to pay for minimal exhibition expenses and to provide student labor to help install the work. The exhibit is to be entitled ARCHITETTURA POVERA in the spirit of the guiding principles of experimentation unhindered by tradition, complete openness towards materials and processes, and the rejection of a defined style which characterized the “Arte Povera” movement of the late 60’s and early 70’s in Italy…”